Tagged: Arts

Billed as a willfully unfaithful adaptation of Henrik Ibsen’s classic picaresque tale “Peer Gynt,” Will Eno’s “Gnit” up-ends the classic man’s-search-for-meaning quest with an ambitiously absurdist self-discovery journey that stubbornly chafes against the conventions of the genre.

The New York Times calls playwright Will Eno “a Samuel Beckett for the Jon Stewart generation.” In this year’s Humana Festival of New American Plays at Actors Theatre of Louisville, he’s turned his keen sense of irony and compassion to a loose adaptation of Henrik Ibsen’s Norweigian classic picaresque “Peer Gynt.” 

"Gnit," Eno's re-imagining of Ibsen's play, is the story of a man’s journey to find his true self, which happens to be disintegrating as he searches. 

Actors Theatre of Louisville will celebrate its 50th anniversary next season. The anniversary season is rich in familiar, crowd-pleasing fare, including Thornton Wilder's "Our Town," a kitschy production from Chicago of Gilbert and Sullivan's "Pirates of Penzance" and Michael Frayn's backstage comedy "Noises Off." Holiday favorites "Dracula" and "A Christmas Carol" return as well. 

“Cry Old Kingdom” is playwright Jeff Augustin’s professional debut, an examination of how artists function in times of oppression set in his family’s native Haiti. Directed by Tom Dugdale, “Cry Old Kingdom” is the ambitious story of three individuals searching for a clear pathway through a terrifying political climate. It’s a strong, if slightly uneven, debut from a young playwright with great potential.

Part of the Humana Festival of New American Plays at Actors Theatre of Louisville, “Cry Old Kingdom” runs through April 7 in the Bingham Theatre.