ArtCraft

Playwright Mallery Avidon mines her unconventional childhood for her new play, “O Guru Guru Guru, or why I don't want to go to yoga class with you.”

"Part of that unconventional upbringing has to do with the ashram that Elizabeth Gilbert goes to in the book 'Eat Pray Love,' that Julia Roberts goes to in the movie 'Eat Pray Love.' The play is an investigation of the way that unconventional spirituality affected my life," says Avidon.

This week on The Big Break, the Louisville Ballet rehearses for its upcoming mixed repertory program, Breaking Ground while trainee Claire Horrocks gets called up to the stage for a surprise bonus role. Over at Actors Theatre of Louisville, acting apprentice Samantha Beach finishes up rehearsals for "Sleep Rock Thy Brain," the apprentice anthology play that opens this weekend, and she reflects on the new play rehearsal process. 

As the curtain rises on Branden Jacobs-Jenkins' "Appropriate," a rattling chorus of 13-year cicadas fills the Pamela Brown Auditorium. Far from a gentle nocturne, the sound swells with the pregnant heat of a southern summer night, conjuring images of rattling bones. Low lights reveal a man and a younger woman slipping through an open window into the living room of a plantation house that had, to be kind, seen better days.

Billed as a willfully unfaithful adaptation of Henrik Ibsen’s classic picaresque tale “Peer Gynt,” Will Eno’s “Gnit” up-ends the classic man’s-search-for-meaning quest with an ambitiously absurdist self-discovery journey that stubbornly chafes against the conventions of the genre.

The New York Times calls playwright Will Eno “a Samuel Beckett for the Jon Stewart generation.” In this year’s Humana Festival of New American Plays at Actors Theatre of Louisville, he’s turned his keen sense of irony and compassion to a loose adaptation of Henrik Ibsen’s Norweigian classic picaresque “Peer Gynt.” 

"Gnit," Eno's re-imagining of Ibsen's play, is the story of a man’s journey to find his true self, which happens to be disintegrating as he searches. 

Actors Theatre of Louisville will celebrate its 50th anniversary next season. The anniversary season is rich in familiar, crowd-pleasing fare, including Thornton Wilder's "Our Town," a kitschy production from Chicago of Gilbert and Sullivan's "Pirates of Penzance" and Michael Frayn's backstage comedy "Noises Off." Holiday favorites "Dracula" and "A Christmas Carol" return as well. 

“Cry Old Kingdom” is playwright Jeff Augustin’s professional debut, an examination of how artists function in times of oppression set in his family’s native Haiti. Directed by Tom Dugdale, “Cry Old Kingdom” is the ambitious story of three individuals searching for a clear pathway through a terrifying political climate. It’s a strong, if slightly uneven, debut from a young playwright with great potential.

Part of the Humana Festival of New American Plays at Actors Theatre of Louisville, “Cry Old Kingdom” runs through April 7 in the Bingham Theatre.

Nothing secures a literary legacy like an over-sized personality to match the work. On some level, we want our artists to behave badly, feuding with critics and wearing, perhaps, less clothing than appropriate in public. We want to believe that being a talented, successful writer isn’t just another job, like being a plumber or an accountant—it's a lifestyle, or maybe even a curse.